[fusion_builder_container hundred_percent=”yes” overflow=”visible”][fusion_builder_row][fusion_builder_column type=”5_6″ spacing=”yes” last=”no” background_color=”” background_image=”” background_repeat=”no-repeat” background_position=”left top” border_size=”0px” border_color=”” border_style=”solid” padding=”” class=”” id=””][/fusion_builder_column][fusion_builder_column type=”1_6″ spacing=”yes” last=”yes” background_color=”” background_image=”” background_repeat=”no-repeat” background_position=”left top” border_size=”0px” border_color=”” border_style=”solid” padding=”” class=”” id=””]Lupii din Carapti, 2007, c-print, b/w, 300x510cm.[/fusion_builder_column]
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Unaware participants brought into the artist’s plot, the Charleroi commuters are caught in a double bind. Confronted with the unexpected, most will feign indifference, some will nervously laugh. No matter how, they will still follow their habitual route. What is at stake from this perspective is the border that separates the private and the public, a frontier built through social agreement and conventions that, as we are shown, will stand even when it is forcefully brought down. While the band bellows the story of the three shepherds, a new ballad comes to life, one about contemporary urban experience where the individual and the collective are sometimes forced into a common path.”
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[/fusion_builder_column][fusion_builder_column type=”1_6″ spacing=”yes” last=”no” background_color=”” background_image=”” background_repeat=”no-repeat” background_position=”left top” border_size=”0px” border_color=”” border_style=”solid” padding=”” class=”” id=””]Lupii din Carpati, performance in Charleroi, video, loop, color, sound, 15:04 min., 2007.[/fusion_builder_column] [fusion_builder_column type=”5_6″ spacing=”yes” last=”yes” background_color=”” background_image=”” background_repeat=”no-repeat” background_position=”left top” border_size=”0px” border_color=”” border_style=”solid” padding=”” class=”” id=””]
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“Faces of fear of the other with disarmingly humor; it’s been a long time since I haven seen anyone talking with such sense referring to the pre-concened ideas about non-european people.” |
Jota Castro |
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